"Best" is doing a lot of work in that phrase, so here is what it means on this page. These are the karaoke songs that reliably land. Not the most streamed, not the most critically admired. The ones where the first four bars change the temperature of a room.
That is a different list from a chart. Some of the most successful records ever made are terrible karaoke, because they were built around a voice nobody else has. Meanwhile a handful of merely popular songs are unbeatable, because the whole room knows the chorus and will drag you through it whether you're any good or not.
The ordering comes from public karaoke charts and the singer threads where the same forty titles keep coming back. Against each one we have written what it is actually doing for you: the crowd hook, the forgiving verse, the moment you can stop singing and let the room take over.
- 1 ShallowDuet The verses are gentle and sit low. Then the last chorus goes somewhere most people cannot follow, which is exactly why the room watches. 3:36
- 2 Bohemian RhapsodyGroup Nobody sings this well and nobody has ever minded. The room takes the opera section off your hands and the guitar solo gives you somewhere to stand still. 5:55
- 3 Dancing QueenGroup The chorus sits high enough to be a real sing, but the room joins in so completely that a wobble in the middle of it disappears. 3:50
- 4 Don't Stop Believin'Group The verses are low and conversational and lull you completely. Then the title line arrives at the very top of the song, in the last thirty seconds, when you have stopped concentrating. 4:11
- 5 Sweet CarolineGroupTalk-sing The melody barely moves and the key sits low. The only part anyone is waiting for is the bit where they shout, not the bit where you sing. 3:24
- 6 Livin' on a PrayerGroup A perfect karaoke song for four minutes and an ambush in the last one. Everyone knows the chorus; almost nobody survives where it goes at the end. 4:09
- 7 I Want It That Way Built for several voices, which means nobody is ever alone for long. The chorus is the most reliably known line of the entire decade. 3:33
- 8 WonderwallGroupTalk-sing Five notes, a shouted chorus, and a room that will sing it whether you do or not. The nearest thing to a guaranteed result. 4:19
- 9 Take Me Home, Country Roads Everybody knows it, nobody has strong feelings about it, and it sits in the middle of almost any voice. The safest song in the country section. 3:18
- 10 CreepTalk-sing The verses are almost spoken and the chorus is a shout rather than a sing. Attitude does most of the work, which is why it survives voices that should not attempt it. 3:59
- 11 Mr. BrightsideGroupTalk-sing Barely a melody, entirely a shout, and the whole room does it with you. The words come fast but they never go high. 3:43
- 12 AfricaGroup The chorus is layered on the record, so the backing does half the work. The verses are lower and easier than the song's reputation suggests. 4:56
- 13 I Will SurviveGroup A song about walking through a door, which gives you something to act rather than something to sing. The room arrives at the chorus regardless. 4:56
- 14 Total Eclipse of the HeartGroup Enormous, absurd and much harder than anyone expects. Its saving grace is that the whole room wants it to be ridiculous, so going too far is the correct approach. 4:27
- 15 Tennessee Whiskey A slow burn that lives or dies on tone rather than accuracy, which is unusually forgiving right up until the last chorus, where it stops being forgiving at all. 4:53
- 16 Zombie The verses are almost monotone and the chorus is a wail you can throw yourself into. Precision is not the point and never was. 5:06
- 17 Valerie Fast, warm and rhythmic, with a chorus the room knows cold. The speed is the only real obstacle. 3:54
- 18 Rolling in the Deep The verses are low and stalking, which flatters most voices, and then the chorus asks for genuine power. The drums carry you even if the notes do not. 3:48
- 19 My Way Slow enough to think about, which is a gift and a trap. It builds to a real ending, but the phrasing is conversational the whole way there. 4:36
- 20 Lean on MeTalk-sing A song built to be sung by a room rather than a person. It sits low, moves slowly and repeats until everyone has caught up. 4:19
- 21 Piano ManGroupTalk-sing Six minutes of storytelling with a chorus that is essentially a group hum. Long, but almost none of it is difficult. 5:39
- 22 Sweet Home AlabamaGroupTalk-sing Three chords, a drawl and a chorus everyone shouts. The verses are close to spoken. 4:44
- 23 Friends in Low PlacesGroupTalk-sing The best group song in country music. The verses are conversational and the chorus is designed for a bar to shout back at you. 4:20
- 24 Wagon WheelGroupTalk-sing Relentlessly cheerful and impossible to get wrong. The chorus repeats often enough that people who have never heard it join in by the second one. 4:58
- 25 Jolene Almost hypnotic. The melody circles the same few notes, and the name does most of the emotional work for you. 2:42
- 26 9 to 5 Bright, fast and relentlessly upbeat, with a chorus that everyone in the room over thirty knows by reflex. 2:42
- 27 Ring of FireTalk-sing Ten semitones, sung low and flat by design. If you can talk, you can do this one. 2:36
- 28 Folsom Prison BluesTalk-sing Spoken more than sung, in a range that suits people who insist they cannot sing at all. 2:51
- 29 Before He Cheats The verses are almost spat and the chorus is a genuine belt. Great fun, and harder than it sounds on the radio. 3:20
- 30 Man! I Feel Like a Woman! Opens with a spoken line, which is the friendliest possible way into a song, and the chorus is pure celebration. 3:54
- 31 That Don't Impress Me Much Half of it is delivered as an eye-roll rather than a melody, and the joke does the work. 4:27
- 32 Neon Moon Slow, low and unhurried. The closest country gets to a song you can sing while thinking about something else. 4:21
- 33 Chicken FriedTalk-sing Warm, mid-tempo and built entirely around a list, which makes the words easy to hold on to. 3:40
- 34 Islands in the StreamDuet The most reliably successful duet in the book. Both parts sit low, and the chorus puts you in unison, which hides everything. 4:09
- 35 Summer NightsDuet A duet that is really a conversation, with a room shouting the responses between the lines. Almost impossible to ruin. 3:36
- 36 You're the One That I WantDuet Fast, silly and entirely built on call and response. Neither singer holds anything for long. 2:49
- 37 Don't Go Breaking My HeartDuet A back-and-forth that never leaves the middle of either voice, and a chorus that is more chant than melody. 4:35
- 38 Ain't No Mountain High EnoughDuet Joyful and forgiving. The two parts trade lines constantly, so neither of you is out on your own for more than a phrase. 2:29
- 39 Endless LoveDuet Slow and exposed, which makes it the least forgiving duet here, but the parts weave closely so you're rarely alone. 4:27
- 40 Under PressureDuet Two very different voices doing very different things, which means you genuinely need to decide who is doing what before the track starts. 4:08
- 41 PictureDuet A conversational country duet in a low, easy range for both parts, and the phrasing is close to speech. 4:59
- 42 A Whole New WorldDuet Familiar to everyone under fifty, and the two parts hand off cleanly rather than overlapping. 4:06
- 43 (I've Had) The Time of My LifeDuet A big finish and a room that expects the lift, which is either a gift or a problem depending on your nerve. 4:18
- 44 I Will Always Love You The most attempted and least survived song at karaoke. The a cappella opening is exposed, and the last chorus is a genuine feat. 4:27
- 45 I Wanna Dance with Somebody (Who Loves Me) Far more forgiving than her ballads. It's fast, bright, and the crowd sings the hook with you. 4:53
- 46 Respect Rhythm and command rather than range. You have to sell it, but you do not have to soar. 2:27
- Nothing matches those filters. Try clearing one.
The best karaoke songs: your questions answered
What is the best karaoke song to sing?
Judged on how reliably a room responds, it is hard to beat Don't Stop Believin' or Sweet Caroline. Both have a chorus the crowd sings for you and a verse that sits in almost anyone's range.
Are the best karaoke songs hard to sing?
Mixed on purpose. Filter by difficulty to keep only what suits you, or start with our easy karaoke songs.
Keep looking
plays a 30 second preview from Apple, and the video button opens a karaoke version with the words on screen. Range shows where the melody sits across roughly two octaves and how far it travels. It's an estimate, and the quickest way to tell whether a karaoke song suits your voice. Difficulty is our own 1 to 5 rating.
Key, tempo and release data come from MusicBrainz and TheAudioDB. Difficulty, vocal range and the note against each song are ours. We don't reproduce lyrics.
Filmed your performance?
Add word by word karaoke captions to the clip, free. Nothing is uploaded, so your video never leaves your phone or laptop.
Add captions, free → No account · no watermark · works in your browser